Vd is in the country since Tuesday , ph is not using him deliberately otherwise we should had at least one scene him by today. That is the reason I am more worried , where this track is headed
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Vd is in the country since Tuesday , ph is not using him deliberately otherwise we should had at least one scene him by today. That is the reason I am more worried , where this track is headed
>>>>>Nothing of that sort happened. Instead CVs are forcing imagery of Sulbala to erode Rishbala from viewers minds. Madhu and Sultan still are indifferent to each other.>>>>>I sincerely wish the CVs become reasonable have Rishabh Kundra completely break himself off even emotionally with Madhu. He can keep memories of her until the time they were together. Beyond that he should let her go...his hinging onto her...will futher taint her. Wish the poster was not behind Sulbala in the night to make us feel this way.It was really an ugly feeling. I told you they were forcefully reminding us and Madhu that person still exists.>>>>>>>I mean to create Sulbala, they need not recycle Rishbala scenes even if its clunk device for Madhu to know her feelings for Sultan or RK. Effectively they have tainted Madhu's character through super-imposition of comparisons and contrasts...why do they have to compare Sultan to RK and RK to Sultan when Madhu does not even get one hint of comparison and contrast. So if Madhu does not see any similarity between the two...why the sound mixing and screenplay uses similar scenes ? What's going on ?
Hero's past and present sandwich her...a past that is ever present and a present that would like nothing more than just to pass...Her present carries a past too heavy himself and yet his past is his present lullaby and light...From Hero's past there are silent pictures that progress to talkies that make her part of each scene...Hero does not call for action or cut orpack up in order to leave her past and go...Yet her present she waters and intends to help grow...
@1Madhu is the lead in the show, doesn't matter if she was the hairdresser or a sweeper this is how things will happen. Or maybe they are afraid of RK..@2Has Madhu stopped Bittooji from calling her Bhabhiji? She just told him off once and after that she ignores it .. Until she tells him off again, he won't stop. Maybe he thinks that by calling her Bhabhiji he will make her Bhabhiji again, or maybe it reminds him of his mission to unite RK and Madhu. Or maybe it is to make sure that Madhu keeps thinking of herself as his Bhabhi, meaning indirectly, RK's wife.
Originally posted by: cardio21
Even RK didn't ask Bittuji to stop calling her bhabiji, except for once. He seems to be totally cool with it. But when talking to his mom he always mentions as 'your ex-bahu'. If only they could clear this current or ex status of their relationship to us. I am really curious to know whether they are divorced or just estranged.
Hero's past and present sandwich her(SD-I will ignore the start of the sentence except sandwich part)...a past (SD -RK)that is ever present and a present (SD -Sultan-Aryan) that would like nothing more than just to pass...Her present (SD-Sultan) carries a past too heavy himself and yet his past is his present lullaby and light(SD-Sultan remembers his wife and through whom he has Aryan, his life)...From Hero's (SD -RK's) past there are silent pictures(SD -of their memories together) that progress to talkies that make her part of each scene...Hero does not call for action or cut or pack up in order to leave her past and go(SD -see this is where they are still hinged emotionally and legally)...Yet her present she waters and intends to help grow...(SD -Madhu and Sultan-Aryan equation)
ESTRANGEDThat is how his revenge works best. He just wants the love to be away from her life with him still hinged onto her.If Madhu was sensible and not crazy (like obsessively trying to be a mother of Aryan), she would have taken care of mess in her life. She would have approached courts, asked for
- Restitution of Conjugal rights (as they still are married)
- Or Annulment of Marriage (non-consummation being the reason)
None of the two things will hurt her self-respect.And here is where RK is going crazy like me. He thought she is crazy and loved him enough not to initiate those actions in rational sense to counter him...but now looks enigmatic to have moved on without completely breaking up with him.😆 😆 😆And if you read my post above yours, you will see why I feel the taint...like RK feels with Madhu's actions. Even if you are not clear and do not want clarity in life, still that craziness or anger should be there towards the man who destroyed you. So where is the defiant look at the poster of RK in today's episode. She has tears in her eyes and tries to scamper of. Why tears when you don't want to officially break away from him.In comparison to Madhu, what was Sultan doing ? His wife left him and his son...and yet he remembers her through the musical lighter's musical tune. Sultan is more balanced than Madhu, who is scared of RK, wants to avoid him, not remember him and yet wants to douse herself into taking care of a kid, whose father asked her not to come close.
Originally posted by: apolloartemis
I wish, more than anything else that CV's would be consistent about more things than Madhu's self-righteous streak and sentimentality that lands her in so much trouble (via Mukund and now Sultan). One minute Padmini keeps telling Madhu that Sultan is a gangster, and the next she is giving Madhu tea and milk to take to the uninvited guests. Malik and Roma are also missing- and not even a phone call to show where they are. Where is this outdoor shoot? The North Pole?!
I was one of the people who was all for the development of sub-plots and side characters to give the main leads some time to rest and not have the show rest solely on them. This is not what I meant. If you are going to do a storyline like this, it should be executed properly- I don't mind Sultan and Madhu, per say, I mind the way they are written. But I'm not going to complain too much, because in a way this track is painful, but good. It establishes that even abroad, RK is thinking of Madhu, when he put an ocean between them, it establishes that Madhu is not falling in love with/is even remotely interested in Sultan, it establishes that Sultan is interested in Madhu to some extent, and it establishes that Madhu is consistent in her insanity, which will continue to get her into trouble, like all soap heroines.
So its bitter medicine- I'm hoping that the CV"s though will bring the story back on track soon.
Has DD been asked to act in a way to evoke disgust for madhu in audience mind? If so then she is doing an excellent job.. I am sick and tired of her repeated expressions.. Why are her expressions more intense than the situation demands???
Good she is teaching nice things to aryan.. lying for a start...
The scenes between sultan/madhu are sooo cringe inducing they are just not conceptualized well.. they try my patience.. if madhu wanted to just find peace in the middle of night when she woke up then why was that horror music in the background? and why was madhu behaving like a chor who is going out to do something her mother wil not approve..
Sultan madhu aamne saamne is completely thanda.. its like ice cold water... there is absolutely NOTHING there... Whatever they are trying to show between them is sooo forced.. its actually painful to watch.. dialogues are not interesting.. the expressions on DD's face are misplaced.. I have no clue what is it that she is supposed to express... I understand nothing from her expressions...