Chapter 182

[MEMBERSONLY]

[NOCOPY]

Smita,😊

Here is the interpretation to Section 2 of Part 45.

Placing Khushi gently on the bed and sliding in beside her, Arnav looked at Khushi resting his head on the same pillow as her. Khushi gazed at him with doe eyes, mesmerized, shy, uncertain and a tad apprehensive. Arnav sighed, with satisfaction oozing out of it saying, So finally I have you where I want you, Khushi Arnav Singh Raizada. He turned on his side to lay facing her. Khushi Arnav Singh Raizada? Khushi asked him savouring the name as though it was a delicious jalebi. Arnav with a smile on his face and his eyes taking in her face with ravenous eyes murmured, a Hhmmm.., confirming her query. But Khushi's thoughts tickled her funny bone. She chuckled saying, Khushi Laad Governor... Khushi Rakshas... Khushi What the! enjoying it, kind of rolling it off the tongue. She saw Arnav take one look at her laughing face and the next thing she knew was the hard pressure, his lips exerted on her surprised ones, stealing the laugh away from them.

The silence in the room was interrupted only by the soft moan that left her as he lifted his lips off hers with reluctance, rubbing his hungry lips against her soft petal like ones, pecking again and again, making her hungry for more. Finally, she lay quietly against her pillow, her eyes intent on his smoldering gaze. Her fingers, clutched the soft silk of his sherwani, desperate for the relief from the burn within her. In a rhythm to the music that was beating in their hearts, Arnav removed the maang tikka. With gentle fingers slipping off her earrings, lightly brushed her lobes and the sensitive skin behind her ears sending tingles down her spine. When Khushi shuddered, Arnav drew in a deep breath, seeing her closed eyes and her response to his touch. Removing her nath, he placed it along with the earrings and maang tikka on the night stand. Next he removed her bangles one at a time, dropping kisses on the peacock bangles, his mother gift for her.

Once it was done, holding her hand in his palm, he dropped a kiss on her palm, making her shiver and curl her fingers in. Arnav continued with kisses on each finger, gently nibbling on the mounts on her palm, making Khushi whimper, A..arnavji.. He asked her, Hhmmm? while his lips traveled to her wrist and were gently lapping at the soft skin, teasing and tasting her to his satisfaction. It sent pleasure frissons in Khushi making her involuntarily to almost pull away. What happened Khushi? was the query from the devious Raizada, his voice innocent, in contrary to the covetous eyes. Khushi feeling the heat of his gaze, her throat going dry, was unable to tell him, the effect he had on her, the searing heat his touch produced in her. It had, her heart pounding like the thundering hooves of a thousand wild stallions, leaving her breathless as a deer, making her body suffuse with the heat, giving her pale skin a tone of pink and leaving her limbs trembling like an aspen-leaf at the touch of a breeze. How could she tell him what was happening? His wily fingers made their way to the creamy curvaceous waist that was adorned by a thin gold waist chain that lovingly clung to the dip. His fingers trapezing along her skin made her squirm at the intimate touch, but Arnav's soft kiss on her forehead soothed Khushi frazzled by the experience. He rubbed his nose against hers, distracting her while his fingers unclasped the chain and flung it on to the night stand.

His fingers making a slow ascent up her arms, one after the other, redeemed them of the armlets. Helping her to sit up, and kneeling behind her, he removed the dupatta and flung it aside and let it fall in a misty heap. The golden expanse of her back, revealed by a choli that were held in place by two pairs of doris, one at the neck and the other at her waist was a feast to his eyes. Fanning his breath against her skin, he made her close her eyes. His hot breath seared into her like a brand, jerking Khushi. His murmured, What happened, Khushi?, had her clutch her fingers together in her lap. She was gone beyond being able to reply to his question. Turning her head to look in to his hot eyes and noting that, it seemed to beckon her, seemed to invite her to throw away her inhibitions and join him in the blaze, the one he has started, Khushi lowered her eyes to her hands in her lap.

Arnav undid the necklace, and the heavy piece slid down brushing her bosom to fall gently in the cradle of her lap, making Khushi place it on the stand with her unsteady hand.

Moving his attention to the hair, he then freed it to cascade down like a shimmering cloud down her back, fingering the lovely dark silk tresses. Gathering the tresses and pushing it aside, he bent his head and kissed her neck, savouring the special heady jasmine scent of her skin and its tempting taste. Khushi jerked and fell back against him with a gasp escaping her lips. Immediately, Arnav breathed into her ear a soft, What happened Khushi? His voice, as low as the sea and his breath, fanning her already heated skin, Khushi shivered violently. He gathered the sweet weight of her hair and pushed it over her right shoulder to fall against her bosom in waves. His fingers getting a freeway and a leeway, trailed across the bare skin of her back and touched the knot of the dori at her neck, making Khushi moan, Ar'rnavji... Giving the dori a gentle tug to open out he asked, Khushi...? The neck of her choli loosened. Arnav doodling on her satiny skin at the nape, arousing her, made Khushi turn and launch herself against him with her arms looping around his neck and her face nestling in the crook of his neck. Her black lustrous hair billowed in the air and fell down like a cloak covering the soft white satiny tempting skin of her back. Her breath fell hot and vigorous against the taut muscles of his throat.

Arnav sliding his hand under her hair, he reached for the second dori. Khushi curling up to him pressed herself close to his muscular strong chest. When he pulled the knot out of the second dori, in all nervous desperation, Khushi sunk her fine teeth into the fined toned flesh at his neck making Arnav tremble. The hands that were giving her a hard time were themselves trembling with anticipation when he tried to slide the sleeve of her choli down her arm. Khushi clutching the neck of his sherwani, tugged him close and buried her face against his skin, breathing in his masculine scent, and letting her senses fill in with it.

This update is about the starting point, commencement of the life together of Arnav Singh Raizada and his soul mate Khushi Arnav Singh Raizada. They are at TERMINUS A QUO.

What exactly is TERMINUS A QUO?

It is a Latin word which when translated literally means the end from which. It means the beginning, the starting point, the earliest limiting point.

Here, the earliest limiting point means, that there was a time before that point, where things were different but the particular change starts from that particular point. That particular point needs to be taken as the starting point for consideration.

After joining Khushi in bed, Arnav sees that his doe eyed bride is shy, uncertain and apprehensive all rolled in one. He knows she is innocent. Her thoughts on suhaag raat would have been limited. These were things that would inhibit his ardor. But the positive side of it was she was untutored and he had seen the girl who hesitated to kiss and was even scandalized by his chaste first kiss was now taking to it, like a duck that takes to water. Whenever she gets an opportunity she does not let go of it. She now relishes the prospect of Arnav kissing her and she kissing him back. Many a time she herself has been the initiator. With such a willing pupil with him playing the mentor and tutoring her into the world of eroticism and sensual pleasure was a pleasure he would never bypass. With the marriage, Arnav is all set to consummate it and initiate Khushi to the pleasures of married life be it carnal, familial or simple companionship. His preference is initiation to satisfying the carnal desires. When he tells her that he has her where he wants her Khushi Arnav Singh Raizada, she thinks of her name as Khushi Laad Governor.. Khushi Rakshas... Khushi What the! and bursts out in peals of laughter. The sight of her laughing visage made her look as beautiful as a water-lily in full bloom. It snapped his already thread bare patience and that was the end of the resolve to pussyfoot around her. Taking her by surprise, he took her lips in a kiss that stopped her laughter mid way. That was the commencement of her initiation to their married life. The room that was filled with laughter was now silent to be broken by the soft moans that came out of her when he tried to pull out, for a breath. She was as reluctant as him to break the contact. When she released him from the hold and lay back on the pillow his smoldering gaze and the hunger in the bottomless pit in her, made her gaze at him quietly and clutch his sherwani. The Bride had come to him resplendent in Solah Shringaar.

What is Solah Shringaar?

Solah shringaar are the sixteen adornments of an Hindu bride, which contribute to her complete beautification.

The Solah Shringaars are as followings---

1.Bindi

The first shringar of the bride, bindi has a strong religious implication and is a sacred symbol of a married woman. To make the bindi look utmost attractive, you can even decorate it with red and white dots around it and along the eyebrows.

2.Sindoor

A sacred symbol of suhaag, sindoor or vermillion is applied on the center parting of the hair and is a part of the shringar of a married woman.

3.Maangteeka

A hair accessory, Maangtika is worn on the central parting of the hair of the bride. It is mostly made out of gold.

4.Anjana

Kajal or kohl is one of the most popular solah shringar. It is basically applied on the edges of the upper and lower eyelids, enhancing the bride's eyes and making it attractive and appealing.

5. Nath

Nath or the nose ring completes the look of the bride, making her look traditional and ethnic. Made of gold, it is generally worn on the left nostril and is supported by a gold chain, which extends just behind left ear.

6. Haar

After the face, next comes the neck of the bride. It is adored with beautiful haar or necklace, which is usually made of gold and embellished with diamonds, pearls or stones.

7. Karn Phool

Ear rings or karn phool adorn the ear of the bride. Mostly, the ear ring flaunted by the bride is made out of gold and is extremely beautiful and heavy.

8. Mehendi

Mehndi signifies the essence of love in wedlock and is essentially applied on the hands and feet of the bride, to strengthen that bond of love. It is one of the most special pre-wedding rituals in India.

9. Choodiyan

Bangles or choodiyan adore the wrist of the bride and are usally made of glass, laakh or gold. Conventionally, brides adore their wrist with red bangles.

10. Baajuband

Baajuband or more popularly known as armlets are worn on the upper arms of the bride and are similar to bangles in their appearance. Mughal, Rajasthani or Jaipuri are the most popular designs of baajuband.

11. Aarsi

The fingers of the bride are adored with exotic rings. Aarsi is the thumb ring which the bride wears. It mostly has mirror embedded on it and enable the bride to have a glimpse of herself as well as her life-partner

12. Keshapasharachana

Apart from the make-up, hair style plays an imperative role in determining the look of the bride. Mostly, the hair is tied in the braid style, with hair accessories and flowers accentuating the look.

13. Kamarband

Kamarband is a waist band that is tied on the waist line of the bride. Made up of gold, it is embellished with stones, diamonds and precious gems and is beautifully designed.

14. Payal & Bichuas

Made up of silver, it is a thick chain that is tied on the ankle and is adored with tiny bells that make enticing sound. Bichuas or toe rings are similar to rings worn in the fingers of the hand, but are worn in the toes of each foot.

15. Itar

Itar is a special fragrance that is applied on to the bride. It emits a special aroma and that helps the bride stay fresh despite the long elaborate rituals performed.

16. Bridal Dress

Made in bright bridal colors, such as red, maroon, gold or green, bridal dress comprises of saree, lehenga and salwar kurta. It truly brings out the eternal beauty of the bride.

Why are ornaments used to deck the bride?

The meaning of bhushana is to adorn and Abhushan means the ornaments or things, which is used to adorn. While health maintains the physical beauty, Abhusana enhances it.

There is a special scientific reason to wear ornaments. Each has their special effect on the body and mental and physical health. The material does matter for ornaments because they are made from different material like gold, silver, platinum etc. some times pearls, diamonds, gems stones are attached to it. Mainly gold and silver are used as a raw material to making ornaments because the effect of silver is cold and gold hot. Both metals reduce the chances of cancer and balance the blood circulation.

Astrology says that there is a special influence for every ornament for every person. Not only that, it is also important that where to wear it. According to them the effect of planets has great influence to person's mental, physical health and environment.

Understanding her need that had a twin burning in him too, he started to remove all the pieces of jewels on her one by one. She was introduced to erotic delights and Arnav made her skin tingle by giving his due attention to the sensual points that sensitized her awareness to what was being tutored. At the outset he used his lips, hands and tongue to effectively arouse her to the point where he made her cling to him, unable to bear his delightful assault on her senses. On one hand he was arousing her and on the other, the minute she called out to him or showed the effect of his handiwork on her, he kept asking, what happened Khushi? He tried to show that he was unaware of what his effect was on her. Though she looked beautiful as the dawn, he was determined to be dominant as the sun. He wanted her to open up to him. After removing all the jewels that were on the ear, neck, arms and wrists he moved to the waist chain that was sexily luring him. While removing it he further made her get used to touching her around her waist. Then fanning her with his breath he made her skin tingle. Once he was sure that she too was on the same page as him, he started to untie her dori, making her feel butterflies in the stomach as well as shy at being exposed in front of him. While all the time he had been assaulting on her senses, she had held herself in tight leash, but now, unable to control herself, bit his neck and gave him a beautiful love bite. It made him tremble. Her touch, with her lips caused havoc to his senses, sending ripples of desire in him and as he slid the sleeves of her choli, Khushi tugged his sherwani and nestled her face against his skin taking in his masculine scent. Both were maddened by the beauteous forms of each other and were intoxicated by it and were giving in into its heady sensation. Khushi was being introduced to feelings that were new to her.

"The direction you choose to face determines whether you're standing at the end or the beginning of a road"

~ Richelle E. Goodrich

It was literally the beginning of their life together with the end of their life apart. Suhaag Raat is believed to be the Union of both body Tan and soul Maan. It is the time for the Earthy Union, where as the Union of Souls had taken the day Khushi had gained confidence in her ability to be Mrs. Arnav Singh Raizada. Once this union is achieved wife becomes "Ardhangini", the other portion of him. It signifies that one cannot survive or live without the other. There will be no propagation of the human race without the other half present on earth.

That is why it is the beginning or the starting point and the title TERMINUS A QUO.

That's it from me. Hope you enjoy it.

ADDENDUM

I have been writing about the significance of colours in context of marriage. Here is something that I came across and had my funny bone tickled! Hope you enjoy it too.

Attending a wedding for the first time, a little girl whispered to her mother, "Why is the bride dressed in white?"

The mother replied, "Because white is the color of

happiness, and today is the happiest day of her life." The child thought about this for a moment, then said, "So why is the groom wearing black?"😉

rulama2013-07-07 10:35:54