Mannat Har Khushi Paane Ki: Malla plots against Mannat, Vikrant's silent entry raises doubts

In Colors TV’s emotional drama Mannat Har Khushi Paane Ki, tensions rise as Mannat (Ayesha Singh) finds herself torn between love and her search for truth. While her bond with Vikrant (Adnan Khan) starts to deepen, Mannat stays firm on her path — determined to expose Aishwarya’s secret, unaware it might change her life forever. Meanwhile, Vikrant, caught in a whirlwind of emotions, prepares to marry Malla, not out of love, but under pressure and manipulation.

Just when peace starts returning between Mannat and Vikrant, Malla strikes again. She openly voices her intent to drive Mannat out of Vikrant’s life, unaware that he might be right behind, quietly listening. With love tangled in betrayal, a big twist seems near.

In the upcoming episode of Mannat Har Khushi Paane Ki, the story edges toward a major shift as tensions mount between the trio Malla, Vikrant, and Mannat. Overcome by envy and fear, Malla admits she wants Mannat gone. But her plan faces an unexpected jolt when Vikrant suddenly calls her name from behind and walks towards the outhouse, unknowingly walking into a moment that could change everything.

The air thickens with suspense as Vikrant pauses at the door, his face showing shock and sadness, hinting he may have heard Malla’s words. Meanwhile, Dolly finds a bag at the doorstep and alerts Kannan. Concerned, Kannan crouches to check its contents, suggesting something odd is unfolding.

Meanwhile, Vikrant enters Mannat’s room but finds it empty. He softly calls her name, hoping for a response. But the silence stays. Alone, Vikrant turns to alcohol. He drinks quietly, tears in his eyes as memories of Mannat return their laughter, quiet moments, and a bond now slipping away.

At dawn, the sound of bells and a shankh fills the outhouse. Mannat performs aarti before a Durga idol. Her expression stays steady, though emotions stir inside. She then heads to the kitchen to make sandwiches for Gagan. He watches her, sensing something has shifted. Later, Mannat and Gagan are seen running not from fear, but in a sudden moment of escape. They stop at a quiet spot, breathless, far from the tension at the Saluja house.