Cannes 2025: Sharmila Tagore exudes her timeless charm in a green saree; Simi Garewal oozes glamour at 77
At the Cannes Film Festival, the screening of Satyajit Ray's "Aranyer Din Ratri" saw the presence of Sharmila Tagore, Simi Garewal, and director Wes Anderson.
Published: Tuesday,May 20, 2025 02:25 AM GMT-06:00

At the Cannes Film Festival, the screening of Satyajit Ray's "Aranyer Din Ratri" saw the presence of Sharmila Tagore, Simi Garewal, and director Wes Anderson. This 1970 film, now in a restored 4K version, was presented as part of the Cannes Classics. The English title is "Days and Nights in the Forest," and the extensive restoration, which took six years, was overseen by Wes Anderson.
Sharmila Tagore's appearance evoked a sense of timeless elegance. She graced the event in a stunning emerald green silk saree, the gold zari border shimmering subtly. Her ensemble, accessorized with a gold clutch and delicate green earrings, spoke volumes of understated grace. The softly waved, half-up, half-down hairstyle contributed to the overall classic appeal, suggesting a look that transcends eras.
Simi Garewal, marking her first Cannes red carpet appearance at 77, captivated in a head-to-toe white ensemble. A dramatically embroidered long overcoat layered over a coordinating gown created a striking silhouette, complemented by a bold statement necklace. The monochromatic choice was a testament to both her daring style and enduring elegance.
https://x.com/sourav_3294/status/1924641072334176708?s=46The moment resonated with fans across generations, who celebrated it as featuring "legendary people." The general sentiment was that "Cannes is getting interesting now," highlighting the impact of this gathering.
Leading up to the film's screening, images of Sharmila Tagore with her daughter, Saba Pataudi, from the French Riviera were shared online. Saba's Instagram post, captioned with the words: "Cannes 2025! Ma n Me… moments to cherish (sic)," captured a personal moment.
Sharmila, in an interview with ETimes, discussed the historical significance of Indian cinema at Cannes. She highlighted that "Chetan Anand’s Neecha Nagar in 1946 was the first Indian film to win the Grand Prix du Festival International du Film, the precursor to the Palme d’Or." She also acknowledged Payal Kapadia’s "All We Imagine As Light, which earned the Grand Prix last year.
"Indian representation has always been there. My film Devi was nominated in 1962 for Palme d’Or. There is an Indian pavilion as well. A lot of people showcase Indian films there. Our films have been recognised, and Cannes gives them a wider platform," she added.
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