Humsafar Discussion thread-2 - Page 97

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Posted: 10 years ago

Originally posted by: harshu.sundas

yesterday's first and last scene still haunts me down.. i donno why whenever i wtach this episode, Asher's begging to sara for forgiveness and his monologue at the end to a sleeping khirad, these two sequences i just cannot get over them..

The way Asher holds sara's hand, tears rolling donw his eye, and sara being so helpless, her heart wants to forgive him, his tears isnt easy for her at that moment, but still she refuses, for her she feels betrayed, she feels betrayed more because her own instinct tells her that she had showed Ashe rthe worst of khirad and still he does not think sara capable enough to be his wife, thats like putting a dagger at your own heart and ego. Moreover, when Asher says that " main abhi kisise mohabbat nahi karta sara ", this was his final confession to sara that he is so helpless in khirad's love that now no woman matters to him, its not in him to think about anybody else and more because his hareem is with him. And i just loved how sara replies " kaash tum jhoot boldete Asher k tum mujhse mohabbat kartey ho ", thats more like an assurance that Asher could never lie to sara, she is probably the only person in front of whom he could never fake about his happiness , and thus he knows that sara would be the last person he would go and tell his side of sorry, no matter if he did not do anything, but she deserved this from him, she deserved to know that may be he doesnt love her, but she is very integral to him, just how integral his hareem is.


About the last scene, i think i have written so much, i will just mention that Fawad and Quratul ain baloch take a bow, from my side. Fawad's voice modulation, the way Asher sits down on the chair, the body language, and then him delivering that monologue, ohh i am sure it would haunt Fawad also if he would watch his own scene as an audience. The OST just nailes that whole scene into a different level, and because my fav part of the OST plays in the bg, and thats the moment when the feeling of being unheard and lonely sinks in Asher, him seeing her sleeping peacefully , may be that gav ehim a peaceful mind, he rubs off his tears and walks away..


OH MY ASHER...😭

Word!!! ❤️
No episode of any TV drama has moved me as much as Episode 20!! this HAS to go down in history as one of the best things!
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Posted: 10 years ago

Originally posted by: aman-ki-asha

very interesting analysis. Truth to tell I and suspect most Indian viewers never thought of Asher marrying them both as a solution. Monogamy is the rule within Indian Muslims and I do not recall even a single Muslim family with such an arrangement. You are right that there is corruption in petty bureaucracy but as per the conduct rules of the govt service, a second marriage is illegal and results in being kicked out of govt. so extra marital relations are there but not many situations with 2 wives.

I follow and appreciate your reasoning. For the educated aspirational class all over the progressive world, monogamy is the norm. Our child rearing practices are almost universal now, dosent matter where you are born. So we bring up our sons and daughters to expect certain good standards of behavior. It also depends very much on the position of women in the society and from what I can see on television (and from my friends who married in Pakistan), women are quite emancipated in their views.






Well I was casting a wider sweep in my analysis of "what goes on in Pakistan" - in the sense of covering every strata and class and areas of the country.

There will be people who live in Defence/Clifton who go to the U.S. and say "everyone in Pakistan speaks English" - when what they really mean is everyone in Defence/Clifton speaks English - when Defence/Clifton is just a small area of Karachi (let alone Pakistan).

So you are right - i.e. isolating the analysis to one area of the city - and further isolating to people one meets on personal level - you will get a certain uniformity of behavior. But if you expand it to police station SHOs suddenly then you will see some variety emerge :-) (I mean this as a semi-joke here btw).


I think I was aware of the slightly stricter marriage laws in India - but had forgotten. So then it is fortunate that Humsafar did not go in that direction - else it would have ruined plausibility for Indian audience - and made the plot "alien".

BTW - the plot device of cousin-cousin marriages also I was thinking may stump some people - but then I thought that maybe the hindu viewers will think "ok, this is a muslim family" and let that slide. Since if the characters in the play were hindu it would have simplified the problems considerably - would not have wanted to marry either cousin anyway (since cousin-cousin marriage considered inbreeding - as it is in U.S. and most western countries).


Edited by reviewmovies - 10 years ago
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Posted: 10 years ago
Episode 4 - and now Asher is all makhan-lagao to Sara. Meanwhile she is acting like she can move on - so let her move on. No instead he is like I want to continue talking to you etc. etc. - meanwhile Zarina (Sara mother) appears telling him it is now better he not meet her - and Asher is unable to comprehend this simple/realistic suggestion.

It could be argued that if Asher had moved on from Sara - stopped talking to her - and circumscribed himself to his household - it would not have led to any problems - OR given the chink of opporunity into which Sara and others could drive there wedge later.

So in this whole aspect he did not act very "adult" - i.e. in failing to understand the ways of the world (may have made sense if he was 18 years old). He was basically hamstrung trying to please everyone - thereby giving a signal to others that perhaps some additional effort could convert him away from his new wife.

Episode 4 - Asher gets asked by Sara to goto dinner - and he complies after some protest. Then he proceeds to spill his guts to her about his wife - to wife's competitor (!) And this seems to be the TURNING POINT of the play (in strategic sense) - where Sara essentially sees this as suggestive (as they say in Urdu i.e. Asher nay Sara ko shai (as in chess) day di). This was the trigger - where she moves from passive to active state - having seen Asher's comments as essentially a plea to "save him" from the "robot wife" he has just acquired.

EDIT:
I am thinking Episode 4 is essential - where Asher essentially unlocks the gate for Sara/Zarina/Farida to open. By opening up about his misgivings about his new wife to her competitor - he essentially "gave her ideas" (about how she can "help" her Asher). Him confiding with Sara was dangerous (once she has suggested she has romantic interests with him).

Asher confiding his misgiving about new wife with his mother however would also be forgiven - esp. if he is venting only - and has already decided to keep the marriage. However if he has ideas of breaking off the marriage - then it could be argued that maybe he was crying out for help (for release from the marriage). This interpretation would argue that Asher (subconsciously) perhaps wanted release if he could get it - and thus egged on the trio. Later when he started liking the marriage he was blind-sided by the engine he himself had started in Episode 4 (by talking non-carefully to Sara about his "real" feeling of indifference towards new wife).

Edited by reviewmovies - 10 years ago
crazy4fawad thumbnail
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Posted: 10 years ago

Originally posted by: reviewmovies






Well I was casting a wider sweep in my analysis of "what goes on in Pakistan" - in the sense of covering every strata and class and areas of the country.

There will be people who live in Defence/Clifton who go to the U.S. and say "everyone in Pakistan speaks English" - when what they really mean is everyone in Defence/Clifton speaks English - when Defence/Clifton is just a small area of Karachi (let alone Pakistan).

So you are right - i.e. isolating the analysis to one area of the city - and further isolating to people one meets on personal level - you will get a certain uniformity of behavior. But if you expand it to police station SHOs suddenly then you will see some variety emerge :-) (I mean this as a semi-joke here btw).


I think I was aware of the slightly stricter marriage laws in India - but had forgotten. So then it is fortunate that Humsafar did not go in that direction - else it would have ruined plausibility for Indian audience - and made the plot "alien".

BTW - the plot device of cousin-cousin marriages also I was thinking may stump some people - but then I thought that maybe the hindu viewers will think "ok, this is a muslim family" and let that slide. Since if the characters in the play were hindu it would have simplified the problems considerably - would not have wanted to marry either cousin anyway (since cousin-cousin marriage considered inbreeding - as it is in U.S. and most western countries).


Cousin marriages is not an alien concept in hindus..rather it was practiced much in royal families...and is practised even now...i have seen cousin marriages happening in south of india more...
Also, It is now in present generation ...that ppl r moving away from Cousin-COusin marriages...
In my family...n v r hindus..till my mom's generation..it was completely OK to marry your cousin..one can marry even now..but the present generation doesnt favor this as much...
Also, as a rule..bro-sis children can marry...however sis-sis children cannot marry...this is the custom in our family...i do not know the logic behind this...
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Posted: 10 years ago
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Fawad Khan's

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Posted: 10 years ago

Originally posted by: crazy4fawad

Cousin marriages is not an alien concept in hindus..rather it was practiced much in royal families...and is practised even now...i have seen cousin marriages happening in south of india more...
Also, It is now in present generation ...that ppl r moving away from Cousin-COusin marriages...
In my family...n v r hindus..till my mom's generation..it was completely OK to marry your cousin..one can marry even now..but the present generation doesnt favor this as much...
Also, as a rule..bro-sis children can marry...however sis-sis children cannot marry...this is the custom in our family...i do not know the logic behind this...

As far as I am aware its the gotra concept that is followed among Hindus. That is people of one family belong to one gotra. Once a woman marries her gotra is changed to that of her husband. She and her children assume the gotra of her husband. In some communities cousin marriages are pretty common. I have seen plenty of brother and sister's kids marrying. In some communities marrying mama that is mother's brother is also ok if age difference is not much. Children of two brothers cant marry as they belong to the same gotra. Not heard of sisters kids marrying...even I dunno why.
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Posted: 10 years ago

Originally posted by: RockChicGirl

As far as I am aware its the gotra concept that is followed among Hindus. That is people of one family belong to one gotra. Once a woman marries her gotra is changed to that of her husband. She and her children assume the gotra of her husband. In some communities cousin marriages are pretty common. I have seen plenty of brother and sister's kids marrying. In some communities marrying mama that is mother's brother is also ok if age difference is not much. Children of two brothers cant marry as they belong to the same gotra. Not heard of sisters kids marrying...even I dunno why.






Well taking your explanation literally .. this maybe part of the reason .. (I could be wrong also):

For a brother and sister - the sister would necessarily have married a different "gotra" - thus making her children a different "gotra" than herself (and her brother) - in this case the children of brother-sister - would have different gotra from each other.

While for a brother and brother - since both are same "gotra" - their children would be same "gotra" (taking it from the father's line) - and thus would not be able to marry.

For a sister - sister - each would have married a different "gotra" (than her self) - however the husbands of these two sisters may not have different "gotra" (for example they may be brothers) - so perhaps there is no guarantee that they are different gotras. So here you would have to examine the gotras (to see if they are different) of the husbands of the two sisters. Perhaps if they ARE different - THEN the children can marry (?) - or maybe it is considered simpler to just avoid for these situations (?)

Edited by reviewmovies - 10 years ago
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Posted: 10 years ago

Originally posted by: reviewmovies

I would now (after having analyzed episode 1-3 and seen them in detail) - suggest that the theories which blamed Baseerat fall by the wayside - i.e. the ones about FK being an obedient son etc. etc. - but rather my take is that Asher (FK) was actually not TOO OFFENDED by the setup - I mean surely he was taken aback. I am not taking his lack of complaining only - but his apparent equanimity after the nikah i.e. he was all relaxed and everything - if it had been under duress he would be pulling his hair out in the bathroom doing soliloquys (i.e. solo dialogue) etc. etc. - yet none of that - the guy was atually NOT TOO UNHAPPY about the marriage (at least up to that point).


Eh? 😆 Would've been odd to see a grown man bawling - I think he just took a pragmatic view, I've said yes - its happening, am going to the gallows - be stoic about it 🤓
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Posted: 10 years ago

Originally posted by: natz


Eh? 😆 Would've been odd to see a grown man bawling - I think he just took a pragmatic view, I've said yes - its happening, am going to the gallows - be stoic about it 🤓


And he did behave like that.."oh mama i m in fear fro my life from the long arm of the law" marriage here😆
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Posted: 10 years ago
Mahira
November 5, 2014 at 7:00 PM

Hello my friends and SZ,

If it wasn't for nostalgia, we'd all be so much happier :)Anything that is even a day older seems better.. and maybe in a lot of cases it probably is. I have heard this discussion everywhere - online, sets, make up rooms, meetings etc. And most of the time my nostrils are flaring while having this argument.

Since we are talking about the dramas of today, let us also talk about the audience and business of this industry today. We have over 15 entertainment channels(not sure of the exact number) on TV today (compared to the one channel that showed Tanhayian in the 80s). We have to fill up hours and hours of programming. Today, more than anything this Industry has become a huge business - a profitable one at that. Actors, directors, writers all seem to be getting into production. This is great - more producers, more money, more job opportunities in this field etc. Only thing - Can art and business go hand in hand? (that is actually the topic what we should debate about).

Our audience today (world over) wants instant gratification, instant pleasure, instant kick, instant pain and instant relief. We are the I-pad generation, even our parents are adapting to that. This is precisely why we find a 2hr movie a drag' or too long', even though just a few years back we were watching 3 hr long films. Our patience is decreasing and thats just the way it is.

Sorry, I'm going on about this. Point is the more the market expands, the more demand for the product. Which means many more writers, actors, directors, technicians will be coming on board to make sure the supply is ample. Is every writer expected to be an Umera Ahmed? Or every director a Mehreen Jabbar? ( To name a few). This just isn't possible. Not here, not anywhere.

There is no denying that there will be an influx of repetitive formula shows but this how it is world over. One show does well and the hangover continues. Trust me its extremely frustrating for me as an actor too. But this is the process. Soon and as always the good will shine (even in the bad products).

I am not standing up for the bad stuff on TV, but I am standing up for the good and great stuff on TV.

Love,

Mahira Khan.

p.s Lets be patient, just a little- even with the good serials :)


Mahira posted this on a blog

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