You have recently worked a lot with composer Pritam. Tell us about your association with him.
There’s been a renewed association with Pritam lately and after Laal Singh Chaddha and Dunki, and I truly love it. Apparently, director Rohit Dhawan and Pritam decided to approach me for the title track of Shehzada as they needed a blend of vigour and expression conveyed with innocence in that song. And the song has turned out to be one of my all-time favourites.
On the work front, you seem to be on a roll.
Honestly, I am overwhelmed with the volume and quality of work. The aggressive Sonu of the 1990s and 2000s is long dead; so this new calm and satisfied version is unable to relate to all this, although I have seen all this before too. But internally, I’m thankful to the universe; after all, good work comes from good karma. It’s a blessing to have worked with so many geniuses in the last 31 years in Mumbai, who have enriched my life. God definitely loves me.
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