google drive with the episodes. 04 is posted here. please don't share the link with anyone. I'm not looking to get reported. // I intended to do these recaps basically every day but last few days have been absolute horrid thus the brief hiatus.
Episode 03
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Ep 04: Who Writes Our Fates?
The episodes picks up from where we had left off previously, with a frantic and impulsive Khushi running behind the ASR, making him stop. With today's episode, we start the journey into the first two promos of the show. (The promo with Khushi saying she makes her own clothes and people matter more than money whilst ASR priorities appearances, and the second one posted in the very first post.)
The biggest divide between the two has not been their lifestyles, but their moral code, their beliefs. Khushi blends with the Raizadas very well especially Anjali and Nani which lets us believe that Khushi might have gotten along with Ratna quite well as well. Khushi stands steadfast in front of Arnav and his look of intimidation. This is one of the very few times where when he moves forward, she doesn't take a step back. It's also representative of in my opinion, of what he refuses to budge against. Her beliefs and her self-respect is something she wouldn't be intimidated easily from.
Arnav's "kya kiya main ne?" is insightful of his cheekiness, his entitlement, and reeking arrogance. The thing is that the person who asks her this questions wasn't ASR, it was Arnav switching in and out of his persona with Khushi and Arnav will be regretting the realisation.
I also love Khushi's sandals slipping out of her feet, specifically I think the left feet concisely as she walked behind him, ran behind him and then away from him. Khushi's path towards Arnav is filled with pain. It's often observed that and bare left feet means awaiting sorrow and that does seem to be the case for Khushi at least. If Arnav is restless at him not seeing Khushi on occasions later onwards, then Khushi looks for excuses to be around him while denying that she does so, to see him.
What I think pisses Arnav off is that while Khushi points at his arrogance, and his attitude of getting his way or creating terrible circumstances when he doesn't get his own way, whatever happened between them was not solely him. We see this belief translating into her conversation with Payal later when she points at everything happening for a reason. She remarks at Arnav as well that even the decisions he thinks he is making for himself are being taken by him because of how Devi Mayyian is guiding him. She remarks at his lack of gratitude instead of affirming that he has accomplished everything on his own.
However Arnav is quick to respond with a classic comeback of pain wouldn't be existing if God was present. The exchange on pain, and God providing us with aids to heal the pain is a classic exchange between someone who finds themselves aligned to religion because it has been their biggest source of comfort , and someone who decides to move away from everything as a reactionary. Whilst Arnav had behavioural issues growing up even when his parents were alive, it is Arnav's displeasure with everything that his family stood for which make it easy for him to embrace everything opposite of what they believe in.
Before the last sentences exchanged between the two, he tells her to not come in his way again. Coincidentally, the next time they meet one another is when she collides with his car!
Khushi's last words to him echo within him that no one is in control besides Devi Mayyian. Not even Arnav Singh Raizada and this starts the cat and mouse challenges between them. To show whose in-charge, he makes sure the clip of a girl like him, in arms of a man like him is circulated to all news channel. Oh Arnav bitwa, if only you hadn't! If only! - it's funny that this one action of his sends the person already living with the Raizadas to save this girl whose clearly been caused distress because of Arnav/Saale Sahib
Absolutely love Khushi and Payal's bond with their conversation. I sorely missed their little banters, and moments of assurance after their wedding.
One of the few lines I loved in this interaction was Payal asking where did the pearls disappear, and if a crow took them away. kawa udda le gaya kya? crows are insightful, curious, misunderstood creatures. They symbolises magic, transformation, and change. There is also a common superstition that arrival of crows means arrival of a guest. The reason for adverse transformation awaiting Khushi's life is the one who took those pearls away. That person, earlier in the day made sure that the change would shake Khushi's life.
It is after this Khushi berates Arnav Singh Raizada. She refers to him as Laad Governor for the first tike in front of Payal. Not many people are aware of this name which later turns into a term of endearment but Payal before Akash is privy to these change in Khushi's life. Payal is also one of the few people to be able to differentiate between Khushi being Khushi, or Khushi lying. In telling about the encounter earlier, I love how she calls her to-be husband whose a diabetic, barfi ka tukra! how ironic. Barfi in general is made from sweet condensed milk which is a symbol of fertility. That is what Arnav is for his family and loved ones. He takes on the responsibility of being a provider, of being a protector. Correlation of people with food plays an important role in the show throughout. It also reflects Khushi's unconscious feelings about that person. For now, Arnav has made a spot in her heart for himself without intending to and Khushi has willingly given him that space just for the ruckus he's caused. With Payal's clarification of her being upset at a partner like Abhishek, Khushi isn't doesn't necessarily blame Arnav either this point forward. She blames herself for taking on the responsibility and leaving without informing others. This is a streak within Khushi where her insecurities of being overtly impulsive rise. Later she doesn't blame Arnav for misunderstanding Shyam and her. She blames herself for not sharing the information with him.
In contrast to the scene between the sisters, we finally see the brothers interact with one another. Clearly there is a comfort level between the two and an easy, playful, camaraderie. We see Arnav yelling at someone for minor mistakes and it's established Arnav striving for perfectionism is reflective of his need for control at all times.
I love how Akash after sharing about the photographer stopping the shoot says "aab toh usse koi nahi bacha sakta" and the scene cuts to Khushi saying she has her Devi Mayyian. Devi Mayyian does protect Khushi from everyone but Arnav, however it's Arnav as Khushi says who eventually ends up needing Devi Mayyian's favourite child to be his saviour when he's kidnapped. It's also him who bows in front of Khushi instead of the other way around.
Roop Suhana Lagta hai is Payal's song. I think with both the sisters' and brothers' scene running parallel, the song provides an insight into what lays the foundation for Payal's relationship alongside Khushi's. After all, Akash ji loses his heart in first sight.
The mother daughter finally unite after Khushi urging Amma to call her, her daughter. I am pretty sure laho peti ho roughly means sucking the life/blood out of someone, and Khushi can often inadvertently become a reason for the Guptas to find themselves exhausted. However all is well when Khushi exercises her right over Garima and Garima admitting the same.
Shashi walks in, into the reunion of mothers and daughters and we get an insight into how wonderfully happy this small family is together. This is in quite contrast to what we will eventually see with Raizadas whose happiness appears to be a facade threatening to break until the arrival of their bahus into their house and the exit of their damad who had been holding everyone together.
Later Khushi gets called out by Shashi as they leave the house and Bua ji back home. Bua ji doubling down on Khushi is a common theme all throughout. As much as she adores her, she also makes sure ti be equally tough on her. I think one of the reason her harshness is more prominent with Khushi is because how obedient Payal is. Payal is the perfect daughter, Guptas could've imagined where as Khushi is chutki, Sanka-devi, a bit spoilt, given leeway to help outside with her father, and allowed to be rude to others on occasion which the youngest of the households get the reigns to be. Garima allowing Khushi to run her mouth with kaka ji later gives us a peek into that. I absolutely love that!
We finally meet the deva-esque photographer who clearly has no idea who he is dealing with however the way few people talk to Arnav despite how he forces people to perceive him shows us that Arnav is indeed someone new to the industry whose been fortunate enough to get amazing success. If ASR is really who he lets us believe he is, there wouldn't have been payment issues. He would've also fired the person and gotten a replacement in an instant however Arnav settles by humiliating the man working for him.
the photographer here is unhappy with his payment plans. > I think these were suppose to allude to the past that they ended up changing in the narrative later so technically me decoding it is useless. The person who is aware of the entire truth is unhappy with the lack of their truth being acknowledged.
kis kheeth ka gajr hai > how are you so prosperous? the mysterious persona makes a comeback and begs how the Maliks who wronged others. had their children prosper despite being driven to
mooli hai, not gajar >
jis uchai par mein kada hoon wahan kutton ke bohnkne ke awaz nahi pohonchti > ASR is a rising name of the industry and he's reminding the photographer to not forget how he could potentially change the entire field. I think this is decoding of the tracks being laid out. ASR loses to Khushi, but Arnav wins until Khushi is ready to accept ASR's win. It can indicate how unbothered Arnav is as long as the cost of anything changes into his success.
asli aukat > too many people today have tried telling ASR his aukat today 😆, but really what is his aukat. what was going to be his place in the past?
discount ka kam > Akash's expressions and eyes dart towards Arnav at the term discount being used.
The man doesn't receive a slap, a full palm slap until he brings up Arnav's mother. 50,000 signifies the failing of totality and inability to excel in destiny however the 20 Million for the slaps signify that ultimately, regardless of the past, the duality of forces of love will strengthen Arnav's position enough to be able to make sure that the narrative sways in his favour. the twice 4 zeros are also numbers which hold the spiritual power of bringing soulmates who are twin flames together. And we all know, that with Khushi by Arnav's side, the past that we eventually find out about removes the stain from Garima's reputation and frees Anjali of the man who had been using her as a pawn.
The episodes ends with a relative calling Gotmi Sadan to inform Shashi about the news which is a call picked up by Bua ji. Bua ji saying that yahan toh yeh pora ka pora baghicha khila de rahi adds a perfect layer of how Khushi's encounter with Arnav leads the girls of Gupta house to their eventual rajkummars.
In the market, Khushi has become the talk of the town with people readily able to identify her. An exciting journey awaits us as the next player of this game joins us in the next episode.
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Episode 05
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