Cool_n_cold
myviewprem
BettyA1
mintyblue
Krishnapanchali
adventurousman
Sutapasima
Thank you dear. You are the sweetest member I have come across.
Srkat and his ability to make box office predictions. Let me take that guy to Vegas with me to gamble
So far in 5 years I have spent at IF this post impressed me the most:
Khai and his/hers description of 2020 movies in 1 line each:
Ghost Stories- A pretentious hodge podge of a horror film that neither scares not thrills.
Bhangra Paale- Feel good dance film on bhangra with the best music album of the year so far.
Tanhaji- An aesthetically pleasing action movie with a soulless screenplay.
Chapaak- A nicely conceptualized tale based on a true story completely marred by a lackluster screenplay and a wooden Deepika Padukone.
Panga- A beautiful concept of a working mother going back to living her dreams spoilt by a choppy screenplay with a repetitive and boring second half.
Street Dancer- Lackluster dance drama with an overenthusiastic cast that's not watchable beyond a point.
Jawaani Jaaneman- A refreshing and destressing fun watch with Saif back at his elements and Alaya delivering one of the best debut performances in the recent years.
Malang- The film you watch and think why was it even made in the first place.
Bhoot- A horror film that doesn't scare you even for a bit, ticking off all the most common tropes used in every other horror film.
Love Aaj Kal 2- What was the director smoking while making the film and how high were Sara and Kartik while acting do horribly in the film.
Shubh Mangal Zyada Saavdhan- A film that tries to be woke but turns out to be a cringe fest with Ayushmann overacting the hell out.
Yeh Ballet- A heart touching tale of two boys from Mumbait tryingto make a name in the world of Ballet and what basically Street Dancer should've actually been like.
Thappad- Best film of the year so far, period.
Guilty- When Dharma tries to become woke but fails miserably.
Angrezi Medium- A confusing and unfunny sequel that shouldn't have been Irrfan Khan's swan song.