Profession: Poet, Bollywood Film song Lyricists
Family: Wife - Shaukat Azmi, stage artist, writer; Daughter - Shabana Azmi, Bollywood actress, Social worker, Member of Parliament, Rajya Sabha.
Born to a family of landlords in Majwan in the district of Azamgarh, UP, Kaifi Azmi was fortunate in having a liberal and modern father. His father took up a job as a tahsildar in various small towns in Uttar Pradesh. Although his father wanted Kaifi to have a modern "English" education, pressure from relatives who wanted him to be a theologian saw him admitted to the Sultan-ul-Madris seminary in Lucknow. He soon ran into trouble with the authorities there, organizing a union and launching a strike, which ran one-and-a-half years. Once the strike was called off, Kaifi Azmi was expelled and there ended his relatives' ambitions. Denied the kind of education he and his father wanted, Kaifi Azmi took courses at Lucknow and Allahabad universities that helped him acquire a command over Urdu, Arabic and Persian. Kaifi Azmi - The revolt within Kaifi, like most of the Urdu poets, began as a ghazal writer cramming his poetry with the oft-repeated themes of love and romance in a style that was replete with cliched similes and metaphors. However, his association with the Progressive Writers' Movement and Communist Party made him embark on the path of socially conscious poetry. In his poems he highlights the exploitation of the subaltern masses and through them he conveys a message of the creation of a just social order by dismantling the existing one. Such poetry serves a social purpose and in this respect Kaifi can be called a successful Progressive poet. The choice of his themes does not leave much scope for him to make rich his poetic creations aesthetically. In many of his poems his phonation is a bit louder, the style is direct and closer to rhetoric. Yet, Kaifi's poetry cannot be called plain propaganda. It has its own merits; intensity of emotions, in particular, the spirit of sympathy and compassion towards the disadvantaged section of society are the hallmarks of his poems. Kaifi's poems are also notable for their rich imagery and in this respect his contribution to Urdu poetry can hardly be overstated. Azmi Saab's stint in film includes working as lyricist, writer and almost an actor! His early work as storywriter was mainly for Nanubhai Vakil's films like 'Yahudi ki Beti' (1956), 'Parvin' (1957), 'Miss Punjab Mail' (1958) and 'Id ka Chand' (1958). But perhaps his greatest feat as a writer was Chetan Anand's 'Heer Ranjha' (1970) wherein the entire dialogue of the film was in verse. It was a tremendous achievement and one of the great feats in Hindi Film writing. Kaifi Azmi Saab also won great critical accolades for the script, dialogues and lyrics of M.S. Sathyu's 'Garam Hawa' (1973), based on a story by Ismat Chughtai. The film, chronicles the plight of the minority Muslims in North India and is set in Agra after the first major partition exodus. Balraj Sahni played to perfection the central role of an elderly Muslim shoe manufacturer who must decide whether to continue living in India or to migrate to the newly formed state of Pakistan. 'Garam Hawa' remains today one of the most poignant films ever to be made on India's partition. Azmi also wrote the dialogues for Shyam Benegal's 'Manthan' (1976) and Sathyu's 'Kanneshwara Rama' (1977). Kaifi Azmi - Film career As a lyrics writer though he wrote for numerous films, he would always be remembered for Guru Dutt's 'Kaagaz ke Phool' (1959) and Chetan Anand's 'Haqeeqat' (1964), India's greatest ever war film. In the former who can forget 'Bichde Sabi Baari Baari' or 'Waqt ne Kiya Kya Haseen Situm' and 'Hoke Majboor Mujhe Usne Bhulaya Hoga' or 'Kar Chale Hum Fida Jaan-o-Tan Saathiyon' in the latter. The last mentioned patriotic song causes goose p***les even when heard today. Some other notable films for which he wrote the lyrics include 'Uski Kahani' (1966), 'Bawarchi' (1972), 'Pakeezah' (1972), 'Hanste Zakhm' (1973) and 'Razia Sultan' (1983). He also played a memorable old man in 'Naseem' (1995),a touching film centered around the destruction of the Babri Masjid at Ayodhya. The film is set in June-December 1992, the days preceding the demolition of the Masjid on December 6, 1992 by Hindutva fanatics. Naseem (Mayuri Kango) is a schoolgirl belonging to a middle class Mumbai based Muslim family. She enjoys a warm relationship with her aged ailing grandfather (Azmi Saab). With increasing horror the family watches on their TV the news of the build up at Ayodhya while the grandfather regales her with stories of life in pre-independence Agra. The grandfather dies on December 6 coinciding with the news of the destruction of the mosque. Azmi Saab's brilliant performance provides not just a reminder but a literal embodiment of the cultural traditions at stake those tragic days. It was a performance his daughter, multiple National Award winning actress Shabana Azmi, was proud of. Kaifi Azmi passed away in Mumbai on May 10, 2002 following cardiac and respiratory infection. Time waits for none. This time it was Kaifi Azmi, the poet extraordinaire, who had to move on. Death came after a prolonged illness of 45 days.
The Best of Kaifi Azmi | |
Song | Movie |
Baharon Mera Jiwan Sanwaaro | Aakhri Khat |
Ye Nayan Dare Dare | Kohraa |
Waqt Ne Kiya Kya Haseen Sitam | Kaagaz ke Phool |
Chalte Chalte Yun Hi Koi Mil Gaya Tha | Pakeezah |
Tum Itna Jo Muskura Rahe Ho | Arth |
Dhire Dhire Machal Ai Dil Beqarar | Anupama |
Chalo Dildaar Chalo | Pakeezah |
Aane Waala Kal Ek Sapna | Phir Teri Kahani Yaad Aayi |
Ye Duniya Ye Mehfil | Heer Ranjha |
Dekhi Zamane Ki Yaari | Kaagaz ke Phool |
Mana Ho Tum | Toote Khilone |
Awards | |
Award | Contribution towards |
Uttar Pradesh Urdu Academy Award | Aawara Sajdey |
Soviet Land Nehru Award | Aawara Sajdey |
Sahitya Academe Award | Aawara Sajdey |
Maharashtra State Urdu Academy's Special Award | Urdu literature |
Lotus Award | Afro-Asian Writers' Committee |
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