But the one that made me thoughtful was the Rudra-Laila convo.
As expected, Rudra questions Laila first chance he gets about her nautankis which now involve bhajan singing...asks her if she's forgotten her own name and profession.
And Laila smartly turns this around on him and asks him if he's the only one who's got the right to change...I don't think he was buying that for a second but then Laila goes a step ahead and challenges him on the notions he's lived by all his life...shunning attachments and taking PRIDE in that...so she likens him to a Lion who once roamed proud and free...and is now SHACKLED by MARRIAGE...and possibly love.
Oh the expression on Rudra's face in responseπ...Laila's dart found it's target and definitely got to Rudra there...she mocked him indirectly in a very smart manner...almost PITYING him for turning from a proud, free Lion into a tame/meek creature now besotted with his wife.
Laila knows exactly how to get to Rudra...knows his insecurities...and she targetted exactly those today...challenged his pride and made him wonder for a second if he's become WEAK now shackled with marriage and attachments.
And this is something Rudra has to work out in his mind...marriage or no marriage, he has always been bound to Paro...so maybe in the coming days he will give Laila an answer back on this...or fate will play a cruel twist and Rudra will REGRET having allowed himself attachments again.
Paro is blissfully cluelessly happy as alwaysπ...she doesn't seem to understand that Rudra only agreed for Laila to stay cuz of HER and he's not exactly happy about itπ
And Laila despite all her scheming, otherwise is ending up being a cupidπ...I can't believe Rudra actually thought he could put the needle in the thread with ONE handππ...the interactions b/w RP in the button sewing scene were quite cute and in character...husband-wife routine settling in...and Paro figuring out how to toss the prasad into his mouth...lol...Also liked the subtle bit in the breakfast scene where Paro turns the spoon in the direction of his left hand so that he can eat on his own...nice touch there.
The dancing in the precap looks remarkably unco-ordinated as if Paro is doing her own thing and Laila her own thingπ
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