Prime time headturners |
TV women usually follow stereotypes. They are either weeping willows or middle-class Jassi-me-toos |
Sunday, March 05, 2006
You thought Indian soaps could do nothing better than bring 'unrealistic' images of an elitist, opulent India into predominantly middle-class living rooms? Well, if you were to believe in the TAM data that reflects what India is watching week after week, you'd think, only kanjeevaram clad women living in their gilded cages rule hearts. It's an irony, considering that with the dawn of satellite TV and even pre-satellite TV, reel rebels did capture audiences' attention. So there were "normal women": a housewife (Rajni, DD), a journalist (Shanti, DD), a police officer (Udaan, DD) and a professional (Tara, Zee TV) trying to live with dignity.
Satellite channels brought with them a role revolution. As women shed their staidness, just like their scantily-clad counterparts on MTV or Channel V discarded their clothes, soap protagonists too went the way of the Bold and Beautiful (think Banegi Apni Baat, Zee). Protagonists of soaps shed their inhibitions and staid look and took to power dressing and designer wardrobes. This may have been reflective of the impact middle-class girls were making in real-life boardrooms.
Afternoon soaps too came into their own with the lunchtime dose of drama and intrigue offered by Shanti and Swabhimaan to name some. The bitchiness of most of these new reel models had a negativity which reeked of everything but women's empowerment.
In the 90s, TV's female protagonists seemed to wield power in boardrooms (Swabhimaan) before a crop of soaps that glamourised adultery took over the skies. Neena Gupta's Saans breathed a whole new dimension into family sagas by bringing middle class infidelity out of the bedroom into the living room. Serials like Hasratein, Heena, Kora Kagaz, et al, glamourised the new code of morality wherein extra-marital relationships were not the exception, but the rule. Just when viewers had begun wondering where all this spouse-swapping would lead, the small screen found Ekta Kapoor.
The actual divorce from middle-class realities perhaps got the final seal with the 'K' stamp, which has deluged Indian television since 2000. The K serials churned out by Kapoor did for television what the IT explosion did to the job market. Her Balaji Telefilms first fed the masses with an unrealistic, gilt-edged portrait of the Great Indian Family with its Kahani Ghar Ghar Ki and Kyunki Saas Bhi Kabhi Bahu Thi soaps. But Kapoor also inspired other production houses and even stepped in to create a hunger for a place in this affluent, 'other' India with designer me-toos. "In films the woman is viewed only as a glamourous prop. On television women rule. They are making decisions. That is women's empowerment," says Kapoor.
"We made Tara at a time when people were not prepared for a strong woman like her. Miilee (Miilee; Star Plus) is out to carve her own identity in a man's world. That makes her an achiever," feels producer Vinta Nanda. On Zee, Dr Simran (Astitva) and Kareena (Kareena Kareena) did start off as independent working women in 2004, but halfway down the line the stories lost their froth and became soggy family melodramas.
Just when one thought that Indian soaps could offer no variety, it took one ordinary-looking face to strip away the layers of artificiality from the greasepaint and well made-up faces that the other family dramas were beaming. The bespectacled Jassi did bring in a whiff of reality and it symbolised Indian television's remarriage to realism and credibility. Only like a lot of good things, Jassi's realism didn't last. She is today a good bahu juggling a career and appeasing her sulky husband! (sulky???πya rite..π‘))
Not that there's reason to push the panic button yet. The 'Indian middleclass girl' is still trying to infuse an element of credibility, and is now thriving in various shows across channels β Kittu Sab Janti Hai (Sahara One), India Calling (Star One), Saat Phere (Zee TV), Yeh Ladki Anjani Si (Sony), Millee (Star Plus) and Shanno Ki Shaadi (Star Plus).
In the end it's not enough to help sell soaps to Indian homes, one also has to be viewed with dignity. |
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