Originally posted by: simtara
I couldn't resist responding to the bolded part of your post Thakur Sabzi. Here's my view: Ashatai's cabaret numbers, for the most part, were sensual but also elegant, subtle and graceful. The new slew of "cabaret" numbers, better termed "item numbers" loosely relates to the old sense of the term. This generation of "cabaret" songs tend to be crass, jarring, ill-written and overly blunt. That's merely in regards to lyrics and melody. Come to the actual singing and picturization; the voice was often sensual and inviting, but in a subtle and sometimes mocking way. The tone now leans towards open suggestions and can be heard as somewhat lusty. I hope that makes sense. As for picturization... do I really need to describe Helen (Piya Tu Ab to Aaja or Ye Mera Dil Yaar Ka Deewana) vs. well, you'd have to see the vid to believe it as I can't begin to descrive I Wanna Make Love to You 😕 or even Kareena in Ye Mera Dil of the new Don (though that's immensely better than the former).
There is a clear demarcation between aethetically presenting a situation and being vulgar about it. I found the following quote at a site while researching Ashatai and Helen. To an extent, it describes what I'm trying to say. Just couple it with the above and you might get a clearer idea of my views.
Helen's was the art of the 'clean cabaret'and the grace of a darting goldfish. She made the titillation look aesthetic - and that's what made her distinctive.
http://asha-bhosle.tripod.com/helen.htm