Okay, so the writers of YRKKH apparently do not get this simple fact that if you stretch out the reveal of negative tracks to such an extent, the audience will eventually lose interest. The tension was so high after tracks like Abhimanyu calling the media, Abhimanyu learning why Akshara left, Birlas losing the hospital, Manjhri coming out of coma, even Akshara moving to Birla House. But needless to say, every opportunity was foolishly wasted. The thing with good writing is, (especially when it comes to revealing something) you take these heightened emotions to the zenith and when it has reached a crescendo you bring out the truth in all its light and glory. Well, how I wish that would have happened.
The saddest part is, this show has great chemistry between the main leads and some very good and seasoned actors - Harshad Chopda, Ami Trivedi, Pragati Mehra, Vinay Jain, Sachin Tyagi (even Pranali has so much potential). These people have been in the industry for long and they light up every frame they are in. But then, it always comes down to writing - which has lost track of every bit of logic and continuity. It's so bad, its almost painful to watch.
This new track of Neil and Aarohi is the final nail in the coffin for me. It's so arbitrarily introduced. Also what happened to the main plot? You cannot sprinkle sporadic bits of romance between the leads and not move the story at all. On the top it you initiate random, uninteresting tracks without any association with the main plot and expect the audience to take it in the stride. You are honestly insulting the intelligence of your audience and want them to leave. Which they will.
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