Everybody Loves Sohrab Handa Review: Murder, Madness, And A Climax That Plays Too Safe
Sometimes, a whodunit does not need to completely blow your mind to work. Sometimes, it just needs to keep you watching, thinking, and reacting.
Published: Thursday,Apr 09, 2026 18:35 PM GMT+05:30

Everybody Loves Sohrab Handa
Now streaming on Zee5
Cast: Vinay Pathak, Ranvir Shorey, Koel Purie, Neil Bhoopalam, Rajat Kapoor, Sadiya Siddiqui, Chandrachoor Rai & more
Directed by: Rajat Kapoor
Produced by: Applause Entertainment
Rating - *** (3/5)
Long before social media turned opinions into a daily ritual and reviews into an industry of their own, there was always that simple, almost childlike curiosity when watching a story unfold where a murder had taken place and a room was filled with suspects. You would sit there, quietly making your guesses, scanning faces, replaying moments in your head, wondering who among them had the motive, the nerve, and the opportunity to kill. Back then, you did not really have a fixed label for it in everyday language. It was suspense, maybe thriller, maybe just a gripping story.
Then came the term whodunit, and suddenly everything felt more defined. It gave a name to that specific kind of storytelling where the journey of guessing became just as important as the final answer. Over time, as the genre kept returning in waves across films and shows, a new conversation quietly took shape. What really makes a good whodunit? Is it the shock of the reveal, that final moment where the mask comes off and everything clicks? Or is it the emotional investment, the way you get pulled into the lives and flaws of these characters so deeply that the answer almost stops mattering? Perhaps it is both, woven together in a way that keeps you hooked without making you impatient.
And then comes Everybody Loves Sohrab Handa, directed by Rajat Kapoor, stepping right into this conversation with a premise that feels both familiar and cheekily self aware. The title almost tricks you at first, making you assume that Sohrab Handa must be this universally adored figure. But the moment you step into the world of the film, that illusion begins to crumble. If anything, Sohrab is the exact opposite of lovable, someone who tests the patience of everyone around him with an ease that feels almost effortless.
When The Party Feels Too Real

The story begins in the simplest way possible. A group of friends, along with their partners, children, and even a few elders, gather at a secluded bungalow to celebrate a couple’s eleventh wedding anniversary. It starts off warm and lively, filled with the kind of banter that instantly feels lived in. These are people who have known each other for years, who have shared jokes, fights, secrets, and histories that are never fully spoken out loud but always linger in the air.
There is something undeniably infectious about the way their camaraderie is presented. Conversations overlap, jokes land and miss, people interrupt each other, and the chaos feels natural rather than staged. It mirrors real life in a way that makes you feel like an invisible guest at the gathering, quietly observing dynamics that are both messy and familiar.
The Night That Changes Everything

And then, just as the evening seems to settle into its rhythm, the unthinkable happens. Sohrab Handa is found dead, sitting in a chair with his throat slit. The suddenness of it shatters whatever normalcy was left in the room. Panic sets in, shock takes over, and the obvious question rises almost instantly.
Who killed Sohrab Handa?
What makes this question even more intriguing is the fact that almost everyone present has a reason to want him gone. Every conversation, every insult, every hidden resentment suddenly becomes a potential clue. The film cleverly leans into this by making sure that suspicion does not rest on just one or two characters but spreads evenly across the group.
A Clever Dance Between Past And Present

One of the strongest aspects of the film lies in how it structures its narrative. It moves back and forth between timelines, showing both the events leading up to the murder and the aftermath that follows. This back and forth never feels confusing. Instead, it adds layers to the story, slowly revealing how relationships are not always what they seem on the surface.
Rajat Kapoor deserves full credit for making this transition feel seamless. The past is filled with warmth, humor, and seemingly harmless interactions, while the present is tense, uneasy, and filled with suspicion. Watching these two timelines collide is where much of the film’s engagement comes from.
Performances That Carry The Chaos

With a large ensemble cast, it is never easy to give everyone their moment without losing focus. Yet, the film manages to strike a decent balance. Alongside Vinay Pathak, performances by actors like Ranvir Shorey, Neeraj Kabi, and Rajat Kapoor himself stand out for how naturally they fit into the world of the film.
What works in their favor is the writing. The dialogues feel organic, almost improvised at times, which allows the actors to bring a sense of spontaneity to their roles. The chaos of multiple people talking over each other, jumping into conversations, or even arguing without clear structure adds to the realism rather than taking away from it.
Secrets, Lies, And Uncomfortable Truths

As the investigation unfolds, the film begins peeling back layers that were carefully hidden beneath the surface. Friendships start to look questionable, intentions begin to blur, and certain revelations make you rethink everything you saw earlier.
There are moments where characters admit things they probably never intended to, and others where silence speaks louder than words. The film thrives in these spaces, where human emotions take center stage and the mystery becomes more about people than just the act of murder itself.
The Reveal That Divides The Room
For all the effort that goes into building the mystery, the final reveal becomes the most debated aspect of the film. It is not that the logic does not add up or that the explanation feels forced. On paper, it makes sense. The reasoning is there, the clues align, and the reveal fits within the framework that the film has built.
But the impact feels oddly underwhelming. The motive, while understandable, lacks the emotional weight one might expect after such a detailed buildup. It feels a little too simple, almost as if the film settles for an answer rather than delivering a punch.
When Engagement Beats Perfection
Despite this, the film still manages to remain engaging throughout its runtime. It keeps you invested, makes you curious, and holds your attention with its characters and their dynamics. In many ways, it succeeds in doing what a whodunit should do, even if it does not completely nail the landing.
There is also a certain honesty in how it presents itself. It does not pretend to reinvent the genre or offer something entirely groundbreaking. Instead, it focuses on telling a story that feels personal, grounded, and occasionally chaotic in a way that mirrors real life.
A Familiar Genre With A Personal Touch
It is hard to ignore the similarities it shares with other films in the genre. The setup, the ensemble cast, the isolated location, and the gradual unveiling of secrets all feel reminiscent of stories that audiences have seen before.
Yet, the film does try to carve its own identity through its writing and performances. It leans more into the human aspect rather than just the mechanics of the mystery, which gives it a slightly different flavor even if the core structure remains familiar.
Enter The Most Annoying Man In The Room

At the center of all this sits Sohrab Handa, played with striking conviction by Vinay Pathak. He is the kind of person who might have once been charming but has now turned into someone who cannot resist insulting others at every opportunity. His remarks are sharp, often unnecessary, and sometimes downright cruel.
Yet, what makes it interesting is how everyone around him reacts. No one fully confronts him. They tolerate him, laugh it off, or simply choose to ignore him to avoid creating a scene. There is a strange acceptance in the air, as if his behavior has become an unfortunate norm that no one wants to challenge anymore. Even his own father is not spared from his biting comments, which adds another layer to just how unbearable he can be.
Final Verdict
Everybody Loves Sohrab Handa is not a perfect whodunit, but it is certainly an entertaining one. It hooks you with its characters, keeps you guessing with its layered storytelling, and delivers moments that feel both funny and tense.
The biggest drawback remains its final reveal, which does not quite match the energy that the rest of the film builds. But even with that, it manages to stand above many others in the genre simply because it understands the importance of engagement.
Sometimes, a whodunit does not need to completely blow your mind to work. Sometimes, it just needs to keep you watching, thinking, and reacting. And in that sense, this film does enough to make the ride worthwhile, even if the destination feels a little less exciting than expected.
Poll
Are you planning to watch the film this weekend?
A murder, a house full of suspects, and a victim nobody really liked. Everybody Loves Sohrab Handa turns a simple setup into a messy, engaging ride filled with sharp banter and hidden tensions. But when the killer is finally revealed, does it hit hard enough? Or does the mystery lose its edge right at the finish line?
Join Our WhatsApp Channel
Stay updated with the latest news, gossip, and hot discussions. Be a part of our WhatsApp family now!
Join NowYour reaction
Nice
Great
Loved
LOL
OMG
Cry
Fail













Post a comment