Devi Sri Prasad reacts sharply as Turkish singer allegedly lifts beats of Pushpa’s Oo Antava

The composer of Pushpa’s chartbuster Oo Antava reacts strongly to a Turkish pop song echoing his original tune.

Devi Sri Prasad reacts sharply as Turkish singer allegedly lifts beats of Pushpa’s Oo Antava
Image Credits: X(twitter)

Music composer Devi Sri Prasad, widely known as DSP, has accused Turkish pop star Atiye of copying his hit Telugu track Oo Antava in her song Anlayana, which was released seven months ago. The original track, featured in the 2021 blockbuster Pushpa: The Rise, starred Allu Arjun and Samantha Ruth Prabhu and had sparked massive buzz upon release.

At a recent public event, DSP addressed the matter, expressing disappointment over the alleged plagiarism. “Many people enjoyed Oo Antava in various ways, but now I’ve come to know that it has been copied into Turkish. There are many similarities in singer Atiye’s version. One has to call it a plain copy,” he stated in Telugu.

He further hinted at legal recourse. “I’m thinking about filing a case against them. But I’m also proud—this just shows the international appeal of our music.” While DSP admitted that the situation was frustrating, he also noted the broader recognition it brings to Telugu music on global platforms.

https://x.com/Sylvianism/status/1939375013066363141

Oo Antava created a stir not only for its sensual composition but also for Samantha’s daring portrayal in the dance number. The actress had admitted in an earlier interview that she was hesitant to take on such a bold role, saying, “Who thinks of me for a special song, and that too, one in which I had to look really hot? I was always playing the cute, bubbly, girl-next-door.”

Samantha also recalled the challenges of stepping into such a role. “It wasn’t just about the steps. It was about portraying a confident, fierce woman who owns her sexuality—something I had never done before,” she shared, adding, “I was shaking in front of 500 junior artists before the first shot. I was so nervous.”

With DSP now contemplating legal action, the debate over artistic ownership has again come to the fore. While the outcome remains uncertain, the controversy underscores how far regional Indian music has travelled—and how vulnerable it can be to cross-border imitation. For now, Oo Antava remains not just a chart-topper but also a cultural flashpoint.

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